Guideproduction

Call Sheet Template Guide

Every section of a professional call sheet explained — header, schedule, cast, locations, and distribution best practices.

A call sheet template structures the information your cast and crew need for each shoot day. Using a consistent template ensures nothing is forgotten and everyone knows where to find critical information.

Anatomy of a Call Sheet

Section 1: Header Bar

The top of every call sheet contains at-a-glance information:

  • Production title and production company
  • Date and shoot day number (Day 3 of 12)
  • Director and producer names
  • 1st AD name and phone
  • General crew call (the default arrival time)
  • Sunrise/Sunset times

Section 2: Weather

For shoots with exterior scenes:

  • Temperature range (high/low)
  • Precipitation chance
  • Wind speed
  • Humidity
  • Cloud cover

This helps crew dress appropriately and alerts the 1st AD to potential weather holds.

Section 3: Shooting Schedule

A table listing scenes in shooting order:

| Scene | I/E | Description | Cast | Pages | Est. Time | |-------|-----|-------------|------|-------|-----------| | 14 | INT | Sarah confronts Mark | 1, 3 | 2/8 | 45 min | | 15 | INT | Sarah alone, aftermath | 1 | 1/8 | 20 min | | 22 | EXT | Mark leaves building | 3 | 1/8 | 15 min |

Page counts in eighths. Cast referenced by number (defined in the cast section).

Section 4: Cast

Every speaking role working that day:

| # | Character | Actor | Call | MU/WD | On Set | |---|-----------|-------|------|-------|--------| | 1 | Sarah | Jane Doe | 6:00A | 6:00A | 7:30A | | 3 | Mark | John Smith | 8:00A | 8:00A | 9:00A |

  • Call — when they arrive
  • MU/WD — when makeup/wardrobe begins
  • On Set — when they should be camera-ready

Section 5: Background / Extras

If applicable: number of extras, type (office workers, restaurant patrons), call time, wardrobe notes.

Section 6: Location Information

  • Location name and full address
  • Parking instructions and map link
  • Base camp / holding area
  • Nearest hospital address and phone
  • Special instructions (gate codes, loading dock access)

Section 7: Department Notes

Space for department-specific information:

  • Camera: B-cam needed for Scene 22, Steadicam for Scene 14
  • Art: Set change between Scenes 14 and 22 — 30 min turnaround
  • Wardrobe: Costume change for Cast #1 between Scenes 14 and 15
  • Stunts: None today

Section 8: Advance Schedule

Brief note about tomorrow:

  • Location
  • General call time
  • Key scenes

This helps crew plan ahead.

Distribution Best Practices

  • Send by 6-8 PM the night before
  • Use PDF format — it looks the same on every device
  • Include the 1st AD''s phone number for questions
  • Label revised call sheets clearly: "REVISED CALL SHEET — [timestamp]"
  • Keep a printed stack at base camp for anyone who needs a hard copy

Template Formatting Tips

  • Use bold for section headers and critical info (call times, addresses)
  • Use a consistent font — nothing fancy; readability is the goal
  • Include production logos if available (professional polish)
  • Keep it to 1-2 pages — brevity respects your crew''s time

Generate call sheets from your production data in Seikan — scenes, cast, and crew auto-populate from your project. Free to start.

Frequently Asked Questions

How long should a call sheet be?

1-2 pages. A call sheet should be scannable — crew members look for their call time, the location, and the scene schedule. If your call sheet is 3+ pages, you are including too much detail. Move department-specific deep dives to separate documents.

Should I include parking information on the call sheet?

Always. Parking is one of the top sources of shoot-day confusion. Include specific instructions: which lot, which entrance, permit requirements, and alternatives if the primary option is full.

What does 2/8 pages mean on a call sheet?

Page counts on call sheets are measured in eighths of a page. 2/8 means the scene covers two-eighths (one-quarter) of a script page. This precision helps the 1st AD estimate shooting time.

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